Thursday, May 1, 2008

Do you T·W·I·T·T·E·R?

You should seriously check out TWITTER.COM if you haven't already. It is like a real-time mini-blog where you can post snippets of the latest news or what you're doing. The beauty of it is that you can post entries by sending a text message from your cell phone (or yeah, do it the old-fashioned way on the Web).

Those who are "following" you can get updates through several different methods — by going to your profile page on the Twitter site, by reading the updates on the "widget" that you place on your MySpace page (or other website), via RSS feed to the FireFox browser, via a standalone app on the computer desktop, or via texts to their cell phone. Talk about flexibility! w00t!

If any of you sign up for Twitter, be sure to tell me your user name so I can stalk you!

CLICK HERE to read a story about Twitter on the ABC News site.

© 2008 Sapphire Words @ Blogspot.com

Wednesday, April 30, 2008

Salad Pizazz

OMG, this stuff is so good!  If you love salads as much as my sweetie and I do, you will go nuts over this wonderful salad topping!

There are several different blends/flavors available to add fruity/nutty goodness to your salads:

   • Asian Medley
   • Cherry Cranberry Pecano
   • Honey Toasted Delites
   • Orange Cranberry Almondine
   • Raspberry Cranberry Walnut Frisco
   • Tomato 'N Bacon Parmesano
   • Tomato Pinenut Tuscano

The ones we have tried so far are in a spiffy color, and we are anxious to try the others!

Look for this stuff in the "Produce" section of your favorite grocery store, and if you don't see it, ask for it!  They also have a website, by the way, with recipes, "where to buy," and such.



© 2008 Sapphire Words @ Blogspot.com

Tuesday, April 29, 2008

Sacred Texts

As I switch from Shankara's Crest-Jewel of Discrimination to Edward Abbey's Beyond the Wall, I realize that there are no "sacred" texts — everything is a sacred text.



© 2008 Sapphire Words @ Blogspot.com

Monday, April 28, 2008

How to sing like a planet

fabulous article from the April 23, 2008, edition of
the San Francisco Chronicle, by columnist Mark Morford
© 2008 Hearst Communications, Inc.
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"This is the kind of thing we forget.

"This is the kind of thing that, given all our distractions, our celeb obsessions and happy drugs and bothersome trifles like family and bills and war and health care and sex and love and porn and breathing and death, tends to fly under the radar of your overspanked consciousness, only to be later rediscovered and brought forth and placed directly in front of your eyeballs, at least for a moment, so you can look, really look, and go, oh my God, I had no idea.

"The Earth is humming. Singing. Churning out a tune without the aid of battery or string or wind-up mechanism and its song is ethereal and mystifying and very, very weird, a rather astonishing, newly discovered phenomena that's not easily analyzed, but which, if you really let it sink into your consciousness, can change the way you look at everything.

"Indeed, scientists now say the planet itself is generating a constant, deep thrum of noise. No mere cacophony, but actually a kind of music, huge, swirling loops of sound, a song so strange you can't really fathom it, so low it can't be heard by human ears, chthonic roars churning from the very water and wind and rock themselves, countless notes of varying vibration creating all sorts of curious tonal phrases that bounce around the mountains and spin over the oceans and penetrate the tectonic plates and gurgle in the magma and careen off the clouds and smack into trees and bounce off your ribcage and spin over the surface of the planet in strange circular loops, 'like dozens of lazy hurricanes,' as one writer put it.

"It all makes for a very quiet, otherworldly symphony so odd and mysterious, scientists still can't figure out exactly what's causing it or why the hell it's happening. Sure, sensitive instruments are getting better at picking up what's been dubbed 'Earth's hum,' but no one's any closer to understanding what the hell it all might mean. Which, of course, is exactly as it should be.

"Because then, well, then you get to crank up your imagination, your mystical intuition, your poetic sensibility — and if there's one thing we're lacking in modern America, it's ... well, you know.

"Me, I like to think of the Earth as essentially a giant Tibetan singing bowl, flicked by the middle finger of God and set to a mesmerizing, low ring for about 10 billion years until the tone begins to fade and the vibration slows and eventually the sound completely disappears into nothingness and the birds are all, hey what the hell happened to the music? And God just shrugs and goes, well that was interesting.

"Or maybe the planet is more like an enormous wine glass, half full of a heady potion made of horny unicorns and divine lubricant and perky sunshine, around the smooth, gleaming rim of which Dionysus himself circles his wet fingertip, generating a mellifluous tone that makes the wood nymphs dance and the satyrs orgasm and the gods hum along as they all watch 7 billion confused human ants scamper about with their lattes and their war and their perpetually adorable angst, oblivious.

"But most of all, I believe the Earth actually (and obviously) resonates, quite literally, with the Hindu belief in the divine sound of OM (or more accurately, AUM), that single, universal syllable that contains and encompasses all: birth and death, creation and destruction, being and nothingness, rock and roll, Christian and pagan, meat and vegetable, spit and swallow. You know?

"But here's the best part: This massive wave of sound? The Earth's deep, mysterious OM, it's perpetual hum of song? Totally normal — that is, if by "normal" you mean "unfathomably powerful and speaking to a vast mystical timelessness we can't possibly comprehend."

"Indeed, all the spheres do it, all the planets and all the quasars and stars and moons and whirlpool galaxies, all vibrating and humming like a chorus of wayward deities singing sea shanties in a black hole. It's nothing new, really: Mystics and poets and theorists have pondered the "music of the spheres" (or musica universalis) for eons; it is the stuff of cosmic philosophy, linking sacred geometry, mathematics, cosmology, harmonics, astrology and music into one big cosmological poetry slam.

"Translation: You don't have to look very far to understand that human beings — hell, all animals, really — adore song and music and tone and rhythm, and then link this everyday source of life straight to the roar of the planet itself, and then back out to the cosmos.

"In other words, you love loud punk? Metal? Jazz? Deep house? Saint-Saens with a glass of Pinot in the tub? Sure you do. That's because somewhere, somehow, deep in your very cells and bones and DNA, it links you back to source, to the Earth's own vibration, the pulse of the cosmos. Oh yes it does. To tap your foot and sway your body to that weird new Portishead tune is, in effect, to sway it to the roar of the universe. I mean, obviously.

"At some point we'll probably figure it all out. Science will, with its typical charming, arrogant certainty, sift and measure and quantify this 'mystical' Earthly hum, and tell us it merely comes from, say, ocean movements, or solar wind, or 10 billion trees all deciding to grow a quarter millimeter all at once. We will do as we always do: oversimplify, peer through a single lens of understanding, stick this dazzling phenomenon in a narrow category, and forget it.

"How dangerously boring. I much prefer, in matters mystical and musical and deeply cosmic, to tell the logical mind to shut up and let the soul take over and say, wait wait wait, maybe most humans have this divine connection thing all wrong. Maybe God really isn't some scowling gay-hating deity raining down guilt and judgment and fear on all humankind after all.

"Maybe she's actually, you know, a throb, a pulse, a song, deep, complex, eternal. And us, well, we're just bouncing and swaying along as best we can, trying to figure out the goddamn melody."



© 2008 Sapphire @ Blogspot.com

Sunday, April 27, 2008

One year at my present job!

So, I've been at my job for one year, today!  w00t!

Business slowed-down drastically over the winter and we were behind on so many bills that I seriously wondered if we would make it through the crunch.  We're not in good shape yet by any stretch of the imagination, but at least we made it through the slow season and business is beginning to pick-up once again.  We shall have to wait and see what the future holds.

But for now, I'm still there and I am appreciated for what I do.



© 2008 Sapphire @ Blogspot.com

Saturday, April 26, 2008

De Phazz: Jazz with a turntable

from the National Public Radio (NPR) web site, © 2008 NPR
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The music of German DJ Pit Baumgartner — a.k.a. De Phazz — is a bit hard to categorize. Calling it "jazz with a turntable," De Phazz samples and remixes music he finds just about anywhere, from Ella Fitzgerald hits to 10 cent flea market records. The outcome is both surprising and seamless.

Baumgartner plays a hybrid of electronic dance music and jazz while touring with his band and recording albums, but most of the time he works as a remixer — most notably for the Verve Remix Series — reworking classic songs by Ella Fitzgerald, Kurtis Blow and Boy George.

Baumgartner describes himself as more of a musical collage artist than composer or instrumentalist. "It's a collage thing. I love to bring things together that normally don't fit." he explains. "My music, it joins you while you are doing something. It gives you space to not listen to it immediately or constantly. But if you listen to it constantly and deeper, you should have some little pearls to find."

The artist's latest album is Tales of Trust, a solo effort that gave Baumgartner the freedom to move beyond the live band format. He says experimenting with the song dictates how it will turn out. "At a certain point the song gives you the direction. The song tells you 'listen I need a trumpet' or 'I don't need nothing, I'm an instrumental song' and then it goes by itself."

It's those combinations that Baumgartner finds most interesting. He says, "I don't think that somebody really invents new music. I don't think that's possible. There's so much music — in the train, the supermarket and the airport. I can't really tell you, 'Am I composing this or did I hear this just two days before somewhere?'"

-----
in addition to the two songs on NPR's site, you
can listen to more music by De Phazz on Last·FM



© 2008 Sapphire @ Blogspot.com

Friday, April 25, 2008

Support women in the workplace!

Lilly Ledbetter worked 19 years at Goodyear before she learned the men at her level were earning far more for the same work. She sued, and stood up for inequality by taking her case all the way to the Supreme Court—where five male justices ruled her claim invalid because she filed it more than 180 days after the discrimination started. Now, Senator McCain is blocking a vote on legislation to correct this injustice—and in the process, he seems willing to roll back 50 years of women's rights.

 McCain said the gap between the pay of women and men in this country isn't due to discrimination. Women just need more "education and training" to earn as much as men.

Another vote will be called soon, possibly within days. If we can stop senators like John McCain from blocking a vote on the Lilly Ledbetter Fair Pay Act, the bill, which has already passed the House, will surely pass the Senate as well.

I have sent a letter to Senator McCain's office via the Credo Action site, and I'm asking all my blog readers to please stand up for the rights of women in the workplace!

...and please, whatever you do, don't vote for the Re·THUG·licans!



© 2008 Sapphire @ Blogspot.com